#The tunnel movie how to
Characters at risk are in a pitch-black, airless interior, while all the light and spectacular scenery is outside, where emergency workers worry how to rescue them. Suffocation is not the most cinematic of perils, so after initial catastrophes have occurred around the 45-minute mark, “The Tunnel” finds its drama a bit stuck, in more ways than one. Additional major figures here are personnel at the Road Traffic Control Center in Bergen a family with two young daughters who get separated in the melee and fellow bus passengers led to temporary safety by Elise, who thanks to dad knows the tunnel like the back of her hand. His vacation over before it’s begun, Stein is called to the emergency scene along with other first responders including cocky young Ivar (Mikkel Bratt Silset), who’s exactly the kind of irate loudmouth you know will buckle under pressure. Those not incinerated in the immediate vicinity are nonetheless threatened by the black cloud of smoke that soon fills the entire narrow expanse filled with trapped travelers. But things get a lot worse when an electrical short and his leaking gasoline cargo ignite.
#The tunnel movie drivers
Amid already-treacherous icy road conditions, a trucker panicked by fleeting visual impairment crashes against the tunnel walls, disabling his vehicle and halting a long line of impatient drivers behind him. That proves an unfortunate choice, as the five-mile tunnel through a nearby mountain pass - whose maintenance and safety have comprised civil servant Stein’s longtime work - is about to suffer blockage.
When dad proposes they celebrate Christmas as a trio, his only child storms out in a huff, impulsively catching an express bus to Oslo. But teenage daughter Elise (Ylva Lyng Fuglerud) clings to the memory of the mother who died of cancer three years ago, and thus resents his finally “moving on” from that spousal loss with cafe owner Ingrid (Lisa Carlehed). It’s an awkward moment for stoic Stein (Thorbjorn Harr), because he’d like to spend this vacation time with both the women in his life. On Christmas Eve Day, everybody is heading home for the holidays, many through one or more of Norway’s 1,100-plus tunnels. It’s getting released to virtual cinemas on March 12, with Samuel Goldwyn launching in actual U.S. The less-is-more approach is visually effective, but the screenplay could easily have produced extra intrigue and sent a few more shivers up auds’ spines by supplying some speculation on the source of what’s lurking in the darkness.Solidly crafted if a bit uninspired, Pål Øie’s thriller is like a horizontal, colder, sootier “Towering Inferno” minus the all-star-cast, though their soap-operatics are intact. Only real downside is a failure to reveal anything about the malevolent presence. Special kudos goes to Steve Davis, a real-life cameraman who performs impressively while also filming a sizable portion of the finished product. Making the most of super-atmospheric locations never previously seen in an Aussie feature, debut helmer Carlo Ledesma is well served by his convincing quartet of thesps. Though many viewers will instantly mark accompanying reporter/second cameraman Peter Ferguson (Andy Rodoreda) and sound recordist Tangles (Luke Arnold) as victims, that does not prevent the film from generating and sustaining suspense once the party starts hearing strange sounds and catching almost subliminal glimpses of “something” in the labyrinth.
#The tunnel movie tv
Purporting to be based on “true events and police evidence” from 2007, the story centers on a TV news crew investigating links between a controversially aborted government project involving disused subway tunnels and rumors of homeless people disappearing without trace in the subterranean warren.Ī tad slow at first, the pace picks up when interviews with traumatized ex-journalist Natasha Warner (Bel Delia) and straight-talking cameraman Steve Miller (Steve Davis) are intercut with material filmed during their unauthorized journey beneath the city. What’s certain is that it will be seen by far more auds than could ever have been anticipated using traditional distribution methods. By first raising funds online and now inviting downloaders to pay a voluntary viewing fee of however much they wish, Tedeschi and Harvey’s approach in some respects bears comparison with the online marketing of Radiohead’s 2007 album “In Rainbows.” With approximately half a million downloads of “The Tunnel” to date, it will be interesting to see how its various revenue streams perform.
#The tunnel movie for free
Tedeschi and Harvey have broken new and provocative ground by openly supplying their pic for free download on the same peer-to-peer websites used to illegally distribute copyrighted content.
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